SUPERSTAR MANAGEMENT

Award for “Distinguished Marketing and Promotional Services” from NFL Super Bowl NFL Experience,
Founder of BLACK EXPO shown with Olympic Sprinter John Carlos , Hip Hop’s Islamic Influence, 1979 National BALSA Conference , Dellums for Mayor, Hip Hop’s Islamic Influence, 1979 National BALSA Conference, Oakland Police Officers Arrested for Computer Store Burglaries, Police Found Guilty in Burglaries, Police Officers Sentenced for Burglaries,
Entertainment Law, “The Art of Reppin Pro Athletes & Entertainers”and “Hip Hop & Spread of Islam” available FREE at:
iTunes at: http://tinyurl.com/m5gyqw
Or http://superstarmanagement.podOmatic.com
SUPERSTAR MANAGEMENT,(SSM), the first entertainment and sports management and marketing firms, is world renowned for promoting, representing, advising, negotiating, and arbitrating many lucrative and unprecedented contracts in the sports and entertainment field for such clients as Muhammed Ali, Brian Taylor, U.S. Rep. J.C. Watts, Warner Bros. Records, Deion Sanders, Byron Stewart, Delvin Williams, Giant Records, Kareem Abdul-Jabbar, M.C. Hammer, Capitol Records, Larkin Arnold(Michael Jackson, Luther Vandross, Natalie Cole, “Get On The Bus”), Lyman Bostock, Evander Holyfield, Spencer Haywood, Cliff Robinson, Abbey Lincoln, EMI Records, Emanuel Stewart(Lennox Lewis, Prince Naseem Hamed, Oscar DeLa Hoya), George L. Smith Mangement(The Deele, Antonio “LA” Reid, Kenneth “BabyFace” Edmonds, Bobby Brown, Pebbles, Soul II Soul), John Carlos, Reggie White, Marvin Gaye, Martin Wyatt, and Leslie Allen among others. SSM handles professional personal services contracts in sports, entertainment, electronic multimedia, literary, publishing, merchandising, licensing, commercial advertisement, product endorsement, personal appearances, corporate affiliations, concerts, tours, broadcasting,T.V., video, and motion pictures.
The parent company of SSM and ¿eX-whY AdVentures?, TGRW, INC.,(TGRW) is a Strategic and Tactical Planning corporation specializes in the areas of Marketing, Advertising, Promotions, Public Relations, Political Campaigns, Fundraising, Product Placement and Development, Electronic Multimedia, and Event Planning. TGRW devises and implements overall strategies and tactics for reaching its clients target market(s) using sports, motion picture, entertainment, concerts, internet, advertisements, endorsements, and special event properties as marketing vehicles to implement sponsorship and other promotional programs of an advertising campaign, for corporate exposure and product image enhancement.
The ¿eX-whY? AdVenture is a HipHop Ad Agency specializing in advertising, strategic planning, promotions and marketing to the hard to reach, but extremely lucrative, X-Y and Baby Boomer generations urban and suburban markets using Hip Hop culture, it’s sound, it’s fashion, it’s speak, it’s bravado, it’s image, it’s way, as the vehicle. We have registered the services of Hip Hop, Rap and RB’s elite artists, producers, video directors, writers, choreographers, dancers, graff artist, B-boys, photographers, actors, models, and professional athletes to participate in this ¿eX-whY? AdVenture. We are producing commercial ads from concept, to creation, to production, to placement in media, – the entire process-, while owning our product!!!
We custom design, write, direct, produce, perform and provide all talent for the commercial, the jingle, and all promotions associated with the product. Do you remember the award winning Nike “Freestyle” Commercial with MJ, Vince Cater, etc.? How about the Allen Iverson Reebok “MVP” commercial?.
TGRW has produced TV programming for Disney, ABC-TV and ESPN, as well as events in Japan, Russia, Egypt, Romania, Paris, Europe, Brunei, and the U.S. and has consulted and advised BBDO Worldwide Advertising, Starter, Members of The Royal Family of Saudi Arabia, The Arthur Ashe Foundation, Rare Multimedia, Capcom, Comspan,The National Medical Association, Apex 1, Electronic Arts(EA SPORTS), The ESPY’S, National Football League(NFL EXPERIENCE) Super Bowl, “90210”, Black Entertainment Television(BET), Sega, The Sultan of Brunei, Trans-Pacific Centre, Nike, Pepsi Co., Oakland City Image Campaign, Boost Mobile Innercity Leadership Initiative, Russell Athletic, Private Jet, ESPN, Sports Image Awards, Clorox Co., Golden State Warriors Adonal Foyle’s “Athletics and Academics” Basketball Camp, BART, Levi Strauss, Montgomery Wards, The Jimmy V Foundation, “Home Improvement”, Lynn Harris’ “Fourth Quarter Athletics Basketball Showcase” (with Ashley and Courtney Paris(OU), Devanei Hampton (Cal), Alexis Gray-Lawson (Cal), Candice Wiggins, Brooke Smith, and Ashley Walker(Cal), Minority Business Forum, Foremost/McKesson, Young Brothers Timepices, etc.
We are members of the Casting Society of America (CSA), Independant Film Producers (IFP), Screen Actors Guild (SAG), Producers Guild of America (PGA), and Broadcast Music Inc. (BMI).
PRODUCER FOR “THE LAW OF SPORTS” on KNBR/KTCT ESPN SPORTS NETWORK RADIO
KTCT 1050 AM, and “The Sports Leader” KNBR 680 AM the flagship station and home of pro teams the San Francisco Giants, San Francisco 49ers, and the Golden State Warriors and Stanford University, including their Pre / Post Game Shows. Their ESPN Radio broadcast include “Rome is Burning” with Jim Rome, “The Dan Patrick Show” with Dan Patrick; plus all featured local and national sports events and special shows including: Murph & Mac, the Gary Radnich Show, Fitz & Brooks Show, The Razor & Mr. T, Sportphone with F.P Santangelo, At the Track with Sam Spear, Hooked on Golf, Gary Allen on Business, and The Damon Bruce Show with programming that features Mychael Urban, Marty Lurie, and Tony Bruno, among others. Jalil also serves as a co-host and featured guest on the show.
Nominated for Emmy, GLAAD Awards
“Out. The Glenn Burke Story”
“Out. The Glenn Burke Story” documents the extent of Burke’s courage, strife and friendship throughout his life, and the compassion and callousness of the sport of baseball. The program weaves together insights from Burke’s teammates and friends, including Dusty Baker, Davey Lopes, Sports Agent Abdul-Jalil, Reggie Smith, Rick Monday, Manny Mota, Rickey Henderson, Claudell Washington, Mike Norris, Shooty Babitt, Tito Fuentes, and former Major Leaguer and gay rights activist Billy Bean. Out. The Glenn Burke Story Narrated by Dave Morey, Bay Area Broadcasting Icon and Member of the Bay Area Radio Hall of Fame’s Class of 2010
We have attached the links to a short video documentary about a radio conversation, the live radio broadcasts on November 20, 2010 over ABC Networks’ KGO 810 FM Radio Show and on December 4, 2010 over KNBR- The Sports Leader, 680 AM and ESPN Radio “The Ticket” 1050 AM, of the discussion of the film “OUT. The Glenn Burke Story” The ABC- KGO Radio broadcast was with Shooty Babbitt, John Lambert and Abdul-Jalil. The KNBR show was with Doug Harris, the producer of “Out. The Glenn Burke Story” on the show “Law and Sports” with host attorney Ivan Golde, whose also a legal analyst for CNN, Warner Bros- KRON, and CBS-KPIX, among others.
The on-air discussions were about Glenn, the film, society and sports. We think you will be very moved with the overall content and how Glenn’s impact has becoming a serious topic of discussion around the country. Glenn lives on!!!
Here are the links:
Short documentary about a radio conversation with Sports and Entertainment Manager-Agent Abdul-Jalil, Oakland A’s Executive Shooty Babitt and NBC Sports Broadcaster John Lambert, some of the cast members of OUT. The Glenn Burke Story. The topic of the discussion was gays in professional sports. The conversation was hosted by Rich Walcolf, and filmed at KGO 810 studios in San Francisco.
SUPERSTARS ENTERTAINMENT and SPORTS NETWORK
SUPERSTARS ENTERTAINMENT and SPORTS NETWORK has over 270,000 subscriber/members with a reach of over 21 million readers! The Network offers FREE advice and help with your sports or entertainment career, FREE Casting calls for TV shows, films, and stage, Invites to Red Carpet and Celebrity A-List Events, FREE notices of Sports and Entertainment jobs, FREE tickets to concerts, films, sporting events, symphony, amusement, and entertainment events, To be part of a Professional Network that provides what YOU need to advance YOUR career. Receive FREE Information and Opportunities for Entertainers and Professional Athlete Representation, Entertainment and Sports Marketing and Business Management in all areas of sports, music and entertainment matters for professional athletes in Entertainment, Motion Picture, Television, Stage, Radio, and Record contracts, Casting opportunities, product endorsements, commercial ads, corporate sponsorships, personal appearances, acting, event production, job placement, branding, funding support, training, event planning and promotion, film and TV production, recording, publishing, concert promotion, talent management, and merchandising. Selling of sports, television, radio, motion picture, and advertising products as well as multimedia, music recording and literary publishing. Subscribe to Superstars Network here. To learn more go to the “SUPERSTARS ENTERTAINMENT and SPORTS NETWORK” page on Superstarmanagement.com.
We are offering FREE LISTENING OR DOWNLOADS of our iTunes and podcast of Entertainment Law, “The Art of Reppin Pro Athletes & Entertainers”and “Hip Hop & Spread of Islam” at:
iTunes at: http://tinyurl.com/m5gyqw
Or http://superstarmanagement.podOmatic.com
REPRESENTING THE PRODUCER,
REPRESENTING THE DIRECTOR,
REPRESENTING THE SUPERSTAR,
GETTING MONEY FOR YOUR MOVIE ,
LICENSING MOTION PICTURES,
DIGITAL MOVIEMAKING,
THE BUSINESS OF ENTERTAINMENT,
THE BUSINESS OF SPORTS,
SPORTS AND ENTERTAINMENT MARKETING,
HIP HOP AND THE SPREAD OF ISLAM,
ISLAM AND MUSIC.
*Get FREE working CONTRACTS for Music, Sports, Film, Advertising, Entertainment, Literary, etc!!!
*******
As President and CEO of Superstar Management for the past 38 years, the first African-American in this field, Abdul-Jalil has a tremendous wealth of experience in all aspects of business and personal management, contract drafting and negotiations, and performed all arbitrations of salary grievances and contract disputes for all professional sports and entertainment clients with unprecedented legal and historical results. He negotiates and drafts all agreements for all publishing, merchandising and licensing; commercial advertisements and product endorsements; corporate sponsorships and affiliations; motion picture, television, radio and personal appearances. He was the first African-American in the field and has taught and lectured Entertainment Law for 35 years. Many of the agents and lawyers in the business where instructed, consulted, influenced or inspired by his work….
1978- “The National Basketball Association (Denver Nuggets) vs. The National Basketball Players Association (Brian Taylor)”
In an unprecedented case in Professional Basketball he negotiated an addendum to the contract and represented the player in a dispute of the contract that was originally negotiated by the players union director. The inherent problems that this situation provided for the National Basketball Association, the Denver Nuggets, and most importantly the Director of the NBA Players Union and the Union itself, were incredible. In mid-season the team breached the contract with a late payment that triggered a clause in the addendum that allowed him to opt out of the contract. The player withheld his services in the middle of the season and the team filed for arbitration. In prevailing in this matter the player received his pay, was declared free of his contract (“a Free Agent”), and allowed to negotiate a new contract with the team of his choice. Cite Arbitration Decision in the matter of “The National Basketball Association (Denver Nuggets) vs. The National Basketball Players Association (Brian Taylor)”, Jan. 25, 1978….
He negotiated a series of contracts that included many unprecedented benefits to the individual clients, one of which was interest-free loans that could be forgiven. Upon review by the Internal Revenue Service, the contracts and returns where thrown out and challenged by the IRS as the IRS filed suit. After an 8 year legal battle, he prevailed in Federal Tax Court and established that Interest free Loans where in fact legal. This unprecedented legal ruling was established as a standard in the Tax Laws and was written in several National Law Journals. Cite: “IRS vs Al-Hakim” published by Commerce Clearing House(CCH) Tax Court Memorandum Cases editions KF 6234A 505 and Maxwell McMillian (Prentice Hall) Federal Tax Cases edition KF 6234A 512 Tax Court Memorandum Decisions. Articles and citations available upon request….
The Historic “al-Hakim” Tax Code §7872 [692] Ruling2011- In June 2011 Dr. Kenya Numan and her organization “Stepping Together as well as Abdul-Jalil al-Hakim, Superstar Management, and the Aaron & Margaret Wallace Foundation were honored in Miami, Florida and Port Au Prince, Haiti for the Relief Missions that they have sent to Haiti since the earthquake. Special “Thanks” to all that have supported our efforts over the years!
2010- On August 25, 2010 Abdul-Jalil received the letter shown below of “Thanks” from Arch Bishop Joel Jeune of Grace Village in Haiti for the Relief Mission they received from the Aaron & Margaret Wallace Foundation with Stepping Together on behalf of The World Conference of Mayors (WCM) and The National Conference of Black Mayors (NCBM). This is a tangible reality of SUCCESS in Haiti for ALL the members of the organizations world-wide rather than the many idle cocktail party rants and raves of projects that exist without any substance behind them. THEY DID IT! ALL the members of the World Conference of Mayors can celebrate their success and acknowledge their contribution. They are now moving forward in a meaningful way to secure financial, subsistence, construction and medical aid and support for the next mission which will take place as soon as we can unite to raise the necessary items just mentioned. They can tap into the resources of the USAIDS and the National Medical Association to make great progress in securing bi-weekly missions to various needed areas around the World! They are committed and prepared to work with the WCM and NCBM organizations to raise funds, provide support and organize continued relief efforts for financial donations, to deliver much needed medical support and supplies; food; clothing; educational materials; construction support and building materials; much needed personal items; and legal assistance for displaced children from orphanages that were given transportation and temporary housing in the United States with other families, churches, and organizations until homes have been rebuilt to house them. Where most relief efforts are limited, if not stopped altogether by current travel restrictions in, within, and out of Haiti, The World Conference of Mayors has some political cache that it can exercise to further achieve our united goals globally. This could be the first step toward fulfilling several of their conversations of thier organizations providing relief support to WCM and NCBM efforts globally. Additionally, in relations to their working together on relief missions here in America and globally, Abdul-Jalil is exploring the possibility of a telethon, perhaps with J. C. Watts Black Television News Channel (BTNC). To that end the WCM is prepared to provide it’s full support to his and their joint efforts to overcome the continual need for financial assistance to achieve their goals. These fundraising efforts include the proposed telethon as a measure to not only raise funds but to raise awareness for the causes as well. Now they are moving forward with these joint and several fundraising efforts with a goal of working together on projects of mutual interest and support in a spirit of oneness. Again, there is much work to do and the Aaron & Margaret Wallace Foundation with Stepping Together are committed and prepared to work with WCM and NCBM organizations to raise funds and organize continued relief efforts to provide assistance to countries around the world, especially Africa, the Caribbean and South/Central America. Page One of Letter Page Two of Letter 2003- al-Hakim Prevails in Motion to Vacate the Appraisal Awards Against CSAALECTURER AND PRESENTOR IN THE FIELDS OF:
*ENTERTAINMENT LAW*
*THE ART OF REPRESENTING PROFESSIONAL ATHLETES AND ENTERTAINERS*
*REPRESENTING THE PRODUCER*
*REPRESENTING THE DIRECTOR*
*REPRESENTING THE SUPERSTAR*
*GETTING MONEY FOR YOUR MOVIE*
*LICENSING MOTION PICTURES*
*DIGITAL MOVIEMAKING
Award for “Distinguished Marketing and Promotional Services” from NFL Super Bowl NFL Experience,
Founder of BLACK EXPO shown with Olympic Sprinter John Carlos , Hip Hop’s Islamic Influence, 1979 National BALSA Conference , Dellums for Mayor, Hip Hop’s Islamic Influence, 1979 National BALSA Conference, Oakland Police Officers Arrested for Computer Store Burglaries, Police Found Guilty in Burglaries, Police Officers Sentenced for Burglaries,
FREE tickets to:
Kev Choice, Wed., 11/30 @8 pm, Yoshi’s- Oakland, 510 Embarcadero W, Oakland Ca 94607;
THE PHARCYDE with Live Band, Fri 12/16/11 @10:30pm, Yoshi’s- San Francisco, 1330 Fillmore Street, San Francisco
JOSE JAMES “A rising jazz star… Spectacular!” – New York Times-, Thu 12/8/11 @10:30pm, Yoshi’s- San Francisco, 1330 Fillmore Street, San Francisco
A Women In Jazz Holiday Double Bill: DESTINY MUHAMMED JAZZ TRIO & VICTORIA THEODORE, Tue 12/13/11 @8pm, Yoshi’s- San Francisco, 1330 Fillmore Street, San Francisco
Keb’ Mo, Thu, 12/1/11 @8:00 PM, The Regency Ballroom, 1290 Sutter St., San Francisco, CA 94109
Erykah Badu, Fri., 12/9 @9pm, The Warfield Theater, 982 Market Street, San Francisco, CA 94102
Snoop Dog and Wiz Kalifa , Mon., 12/12 @9pm, The Warfield Theater, 982 Market Street, San Francisco, CA 94102
Fela!, Produced by Will Smith and Jada Pinkett Smith, 11/15 – 12/11 @8pm, Curran Theatre, 445 Geary St, San Francisco, CA 94102
Colors of Christmas, featuring Peabo Bryson, Jennifer Holliday, Lea Salonga, Ben Vereen with A.M.E. Oakland Mass Choir and San Francisco Symphony, December 13-15, 2011, 8:00 pm, Davies Symphony Hall, 201 Van Ness Ave., San Francisco , CA 94199
Duke Ellington, featuring San Francisco Symphony, Sunday, December 11, 2011, 8:00 pm, Davies Symphony Hall, 201 Van Ness Ave., San Francisco , CA 94199
HIROSHIMA CHRISTMAS, Sat 12/10/11 @10pm, Yoshi’s- San Francisco, 1330 Fillmore Street, San Francisco, Celebrating their Annual Holiday show at Yoshi’s San Francisco
SAN FRANCISCO STATE UNIVERSITY GOSPEL CHOIR- Fri 12/9/11 @10pm, Yoshi’s- San Francisco, 1330 Fillmore Street, San Francisco
MACEO PARKER’S NEW YEARS PARTY- Celebrate the New Year with Some Funk!, Thu 12/29/11 @10pm, Yoshi’s- San Francisco, 1330 Fillmore Street, San Francisco
An Evening with BRIAN MCKNIGHT Special Christmas Week of Performances, Wed 12/21/11 @8pm, Yoshi’s- San Francisco, 1330 Fillmore Street, San Francisco
TALIB KWELI’S IDLE WARSHIP featuring Talib Kweli, Res, and Live Band, Fri 1/6/12 @10pm, Yoshi’s San Francisco, 1330 Fillmore Street, San Francisco, CA 94115
Oakland Interfaith Gospel Ensemble, Thur, 12/29/11 @9:00 PM, SLIM’S, 333 11th St., San Francisco, CA 94103
Zongo Junction/ Turkuaz, Thur, 12/29/11 @9:00 PM, SLIM’S, 333 11th St., San Francisco, CA 94103
The tickets will be awarded via our Text, Twitter or website, so DO NOT REPLY TO THIS EMAIL, and if you haven’t already, you should join us on:
Text “I Want Tickets to (show)” with your name and email address to: (510) 394-4501; Twitter at: http://twitter.com/xzwhy , http://twitter.com/ajalil , http://twitter.com/nowtruth , http://twitter.com/amwft, http://twitter.com/win2012elect , or go to the websites at: http://Superstarmanagement.com , http://Ex-Why.com/ , http://AMWFTRUST.Org/ or http://NowTruth.Org/ and make your request on the “I WANT TICKETS” page.
510 Embarcadero W
Oakland Ca 94607
Wednesday, November 30, 2011
8:00 pm
The theme for this special performance is “The Art of Composition” as Oakland M.C./Pianist/Composer Kev Choice and his dynamic Ensemble will focusing on compositions and instrumental works that he has written and compiled over the years. His compositions have a wide range of influence from Herbie Hancock to Maurice Ravel to J-Dilla. He will also cover select compositions from his favorite composers ranging from Stevie Wonder, Chopin, to Kanye West. In addition, Kev Choice will be premiering excerpts from his Hip-Hopera-”Electus Unus” (The Chosen One), which will feature the Ensemble joined by a string trio section and bassonist. “The Chosen One”, a concept project that Kev has been working on for the past year, is a mythological story of a child who was sent to the Earth, from the Heavens, to save a self-destructing world with his extraordinary musical talents. The story is told in a rap style over lush string arrangements and classic hip-hop drum patterns. Extended intros, codas, modulations, thick instrumentation, lays the foundation of this half-fantasy/half-reality tale that stretches the boundaries of the hip-hop genre. As “Keyboard Magazine” recently tweeted, “Anyone who doesn’t think real keyboard playing and rap dont mix, check Kev Choice”.
Pianist/M.C./Producer/Band-Director, Kev Choice is a multi-faceted artist poised to take the music world to dimensions it has never before seen. Never before has an artist grounded in the Hip-Hop tradition, had this type of musical prowess. Classically and jazz trained, schooled in the classic era of Hip-Hop, and influenced by genres from all over the globe, Kev Choice is a unique artist with the capabilities to blend musical elements in a convincing manner. With a resume that includes a Master’s Degree in Music, and having toured the world professionally as a keyboardist and M.C. with a diverse list of artist such as of Lauryn Hill, D.J. Quik, Too Short, Dwele, Zion I, Goapele, LyricsBorn, Martin Luther, and Michael Franti and Spearhead, it is hard to deny the extreme gift that Kev Choice brings to the stage. Having formed his band, Kev Choice Ensemble, in 2007, Kev Choice began to focus on giving the world his unique sound and vision while presenting a powerful stage show. Kev Choice has named “Best Musician” and “Most Multi-Talented Instrumentalist” by East Bay Express in the past few years and also nominated for “Best Soul-Funk Artist” by SF WEEKLY on 3 different occasions. An M.C. that can deliver conscious, witty, relevant lyrics, while playing keys with the skill of a seasoned pianist, is a sight to behold and a breath of freshness to the industry.
The Kev Choice Ensemble has been one of the most dynamic bands in The Bay Area over the last 5 years. The Ensemble features a diverse array and mix of talented musicians with a broad range of talents from the jazz elements of Howard Riley and Geechi Taylor to the soulfulness of Viveca Hawkins voice or Greggo Simmons on guitar. The foundation is held together by the super solid Hassan Hurd on drums, the funk-rock presence of Uriah Duffy on Bass, and the seasoned stylings of Mike Blankenship on keys. For this show they will also be joined by Ajayi Jackson on bassoon and percussion, as well as a string trio featuring violin, viola, and cello. The Ensemble has been heralded as “the most musical hip-hop group ever”.
Keb’ Mo’
The Regency Ballroom
1290 Sutter St.
San Francisco, CA 94109
Singer-songwriter and guitarist Keb’ Mo’s music is a living link to the seminal Delta blues that traveled up the Mississippi River and across the expanse of America–informing all of its musical roots-before evolving into a universally celebrated art form. Born Kevin Moore in South Los Angeles to parents originally from the deep South, he adopted his better known stage name when he was a young player who became inspired by the force of this essential African-American legacy. In the storied tradition of bluesmen before him including Muddy Waters-formerly McKinley Morganfield-and Taj Mahal, who began his days as Henry St. Clair Fredericks, Moore became known as Keb’ Mo’. His acclaimed self-titled 1994 debut album introduced that now famous appellation to the world, and his latest album, 2006′s Suitcase, brings it to new heights.
510 Embarcadero W
Oakland Ca 94607
Sunday, December 4, 2011
7:00 pm and 9:00 pm
“Where It All Begins”
http://lalahhathaway.com
Lalah Hathaway, one of contemporary R&B’s most prized artists and in-demand vocalists will release her sixth solo album and second for Stax Records, Where It All Begins on October 18th, 2011. The versatile, critically acclaimed musician, songwriter, vocalist and producer found creative regeneration and newfound energy making this record, an artistic re-birth she’s eager to share with anyone willing to listen. “Everybody is an artist in some way,” Hathaway enthuses, “I wanted to explore what that really means. For me it meant walking into being the artist I’ve always wanted to be. It was an opportunity for me to embrace my independence as an artist through my music and connection to my fans.”
Hathaway brings that message home splendidly on the gorgeous title track, penned by her and Ernest Green. “If you say what you mean/And mean what you say,” she croons at the beginning of Where It All Begins, showcasing her sensual alto over a languid, hypnotic groove.
In addition to Green, Hathaway recruited other esteemed kindred spirits to either co-write or contribute tailor-made tunes. The list includes Lewis Williams, Lee Hutson, Jr., Errol Cooney, James Day, James Fauntleroy, Rahsaan Patterson, Terrence Lilly, Jonathan Richmond, Mike City, Dave Young, Bryan Sledge, Eddie Serrano, Rich King, Andre Harris and Vidal Davis. Recruiting such top-tier songwriters – some of who have penned hits for Alicia Keys, Jill Scott, Bilal, Babyface, Musiq Soulchild, and host of others, demonstrates Hathaway’s long-held status in contemporary R&B.
This album contains several up-tempo gems that are sure to heat up urban radio stations and nightclubs. For example, check out “If You Want To,” the album’s thumping, synth-driven first single, penned with Patterson, Richmond, and Lilly and the effervescent “My Everything,” which she co-wrote with Jonathan Richmond. The slinky groove of Hutson, Jr.’s “Small of My Back” is also undeniable.
Where It All Begins comes on the heels of Hathaway’s most successful album to date, 2008′s Self Portrait, her first record for legendary soul label Stax Records. The album reached the top ten on the Top R&B Albums chart and included the Grammy® nominated (Best Female R&B Vocal) song “That Was Then.”
Indeed, Hathaway intoxicates as a storyteller. Even though her voice brims with magnetism, she never overpowers it to point of drowning out the lyrics. As with previous albums, Where It All Begins comes loaded with enduring songs that sound personal yet easily relatable, touching upon affairs of the heart as well as the everyday joys of life.
The disc comes on strong from the get-go. Andre Harris and Vidal Davis’ gutsy “Strong Woman,” is a sassy cautionary tale, urging lotharios to step up to the plate and stop taking their devoted female lovers for granted.
Naturally, the singer hasn’t abandoned her R&B roots. Where It All Begins includes luxurious slow jams such as “This Could Be Love” (co-written with Green and Lewis), on which she sings of joys and fears of truly falling in love with that someone special, and City’s bittersweet “Always Love You,” which hints of the sadness leaving an unfulfilling romantic relationship.
Hard-core fans will certainly be delighted with the newly arranged and recorded “I’m Coming Back,” a Quiet-Storm jewel, written by Gary Taylor, which appeared on her 1990 eponymous debut. It’s a song that’s remained a highlight of her live shows for two decades. “No matter, where I go – churches, festivals, Japan, South Africa – people love that song,” Hathaway says, “This version has a different arrangement, because it’s morphed over the years. I decided to rerecord it. We added vocalist Rachelle Ferrell at the end, which is really sublime.”
When it comes to honoring her predecessors, perhaps there’s no other greater example on Where It All Begins than with her spellbinding take on “You Were Meant For Me,” a chestnut that her late father – the incomparable Donny Hathaway recorded.
In view of Donny Hathaway’s landmark albums and indisputable influence on generations of singers worldwide, she speaks of him as a guiding light, especially when it comes to interpreting other people’s music. “I really listened to my dad’s own songs,” Hathaway says fondly, “‘Jealous Guy’ by John Lennon – I always thought my father owned that,” she laughs, “I just grew up with the approach of opening yourself up to create something beautiful, that’s a love letter to what came before.”
On Where It All Begins, Lalah Hathaway unquestionably succeeds at opening herself up in new and profound ways, striving for artistic higher ground and to ‘create something beautiful.’ “I feel like I’m at the top of my game, like I’m at the beginning again,” she says, excitedly. “There aren’t many artists, particularly female singers, who after 20 years, are kind of still on the come up. I feel like I’m on the come up.”
Just That Good
1330 Fillmore Street
SF, CA 94115
Thursday, December 8, 2011
10:30 pm
Born and raised in Minneapolis, José James came of age with the sounds of Prince, hip-hop and Modern jazz. Discovering an early passion for both music and creative writing, José combined these through performance – singing jazz standards, originals, and the works of John Coltrane with his quartet throughout the Twin Cites. Becoming a member of the groundbreaking avant-garde performance poetry and jazz ensemble Ancestor Energy, José was determined to devote his life to music, community, and spiritual unity.
Moving to New York City to attend The New School for Jazz and Contemporary Music, he was mentored by and recorded with both the legendary drummer Chico Hamilton and the pianist Junior Mance. There he also met his first ensemble that would form the studio and international touring band for his 2008 debut album “The Dreamer” (Jan 2008, Brownswood).
A chance meeting in London with international tastemaker and DJ Gilles Peterson led to a record deal on Peterson’s Brownswood Recordings label. Drawing upon diverse influences such as Freestyle Fellowship and Rahsaan Roland Kirk, “The Dreamer” was an international critical success, with José performing at venues such as the North Sea Jazz Festival, Billboard Live Tokyo, The Hermitage Museum, and Central Park Summerstage. “The Dreamer” was voted #21 Critic’s Pick of JazzTimes Top 50 Jazz Albums of 2008.
His sophomore release “BLACKMAGIC” (Feb 2010, Brownswood) explored the worldwide underground, featuring production from Flying Lotus, Moodymann, Taylor McFerrin, and DJ Mitsu the Beats. “BLACKMAGIC” also featured James’s live band in new territory, covering dubstep pioneer Benga’s “Emotions” and exploring a soul/hip-hop version of the R&B classic “Save Your Love For Me.” “BLACKMAGIC” toured in over 30 countries, at venues such as the Montreal Jazz Festival, Ancienne Belgique, Melkweg, and Lincoln Center. “Love Conversation” (produced by Taylor McFerrin), “Save Your Love for Me,” and “Desire” (from The Dreamer) were featured in Fox Searchlight Pictures 2010 “Our Family Wedding” starring Forest Whitaker, America Ferrera, Carlos Mencia, and Lance Gross.
Signing to Verve/Universal in 2010, James’s third studio album “For All We Know” (May 2010, Impulse!) was released on the legendary “Impulse!” label, home to many of John Coltrane’s masterworks. Largely recorded in a single day at the famed Galaxy Studios in Belguim, “For All We Know” is a deep and timeless duo album of jazz standards featuring Jef Neve on piano.
Winner of both the Edison Award and L’Académie du Jazz Grand Prix for best Vocal Jazz Album of 2010, “For All We Know” was James’s most intimate project to date, with performances in premiere concert halls such as L’Olympia, Royal Festival Hall, and De Roma, as well venues such as the Umbria Jazz Festival, Dizzy’s Club Coca-Cola and Cotton Club Tokyo.
The collaboration between James and Jef Neve continued with an ambitious ongoing live project “Facing East: The Music of John Coltrane.” Conceived and directed by James “Facing East” made its worldwide debut at Ancienne Belgique, Brussels, and continued on to venues such as the North Sea Jazz Festival, Nice Jazz Festival, New Morning, and Ronnie Scott’s.
As a featured guest José has recorded albums with Junior Mance, Chico Hamilton, Nicola Conte, Bassment Jaxx, Jazzanova, Toshio Matsuura, J.A.M., DJ Mitsu the Beats, Timo Lassy, Taylor McFerrin, and Flying Lotus.
Recent projects include guest performances with Wynton Marsalis and the Jazz at Lincoln Center Orchestra’s “A Tribute to Billy Strayhorn” at Rose Theater, as well as touring internationally with McCoy Tyner’s “The Music of John Coltrane and Johnny Hartman.”
He was recently voted 2011 DownBeat Critics Poll “Rising Star Best Male Vocalist” and is currently working on his fourth studio album “No Beginning, No End.”
1330 Fillmore Street
SF, CA 94115
Thursday, December 9, 2011
10:30 pm
The SF State Gospel Choir was founded by current choir director Ja Ronn Thompson in the Spring of 2004. At that time he didn’t expect anyone to take him seriously. He was only a freshman and not even a music major. But he was determined to bring Gospel music to our campus. When he expressed interest in starting the choir, music professor Dr. Dee Spencer told him to “Make it happen.” Therefore, Ja Ronn toured the campus handing out fliers and encouraging people to try out.
There were seven members at their first rehearsal, singing without sheet music or a band to accompany them from one musical transition to the next. They also didn’t have a regular practice room, so they used various classrooms and sometimes hallways in order to perfect their songs.
The San Francisco State gospel choir, a student-run group, became a one-unit music course in its second semester. Now in it’s 14th semester the group is comprised of 85 singers and 7 musicians of different backgrounds and majors, there is plenty of diversity in this group. Having grown exponentially over the past 7 years, their big sound has only gotten better.
1330 Fillmore Street
SF, CA 94115
Saturday, December 10, 2011
10:00 pm
In the three decades since they first convened, the Los Angeles-based ensemble of Dan Kuramoto (keyboards/woodwinds/composer/producer), June Okida Kuramoto (koto), Danny Yamamoto (drums), Kimo Cornwell (piano/keyboards), Dean Cortez (bass) and newest member Shoji Kameda (taiko drum/percussion) have blended jazz, pop, and rock with traditional Japanese folk music and instruments. The resulting sound was a pioneering voice in the world music movement of the late 20th century.
While Hiroshima have sold more than three million records in their prolific career, they’ve done something even more important in the process: they’ve introduced a variety of traditional Asian instruments to a global audience, and integrated them seamlessly into a new music and art form. The Japanese koto, a zither-like, 13-stringed instrument, shakuhachi, a five holed bamboo flute, and the powerful taiko (which literally means “drum”) combine with instruments from the Western Hemisphere to create their unique musical palette.
This year, we are delighted to have Hiroshima bring their (Los Angeles) annual holiday tradition to Yoshi’s San Francisco. With a mix of Hiroshima “classics” as well as songs that reflect the “spirit of the season” ..this will certainly be one show that you won’t want to miss!
The Occupy Movement that has swept America and the world, had it’s Occupy Oakland beginnings with the revelation of irrefutable evidence of the mass fraud and corruption of the Oakland City Attorney, Oakland Police Department, Alameda County District Attorney, Alameda County Superior Court, California State Appeals Court and California Supreme Court in an action to deny justice and cover up that denial of justice in the 20 year case of Abdul-Jalil al-Hakim vs CSAA, Rescue, et al.
The unrest caused by the exposure of the criminal actions of these law enforcement, legal and judicial individuals/bodies in this matter implored others to investigate the ongoing case revealing even more rampant corruption that has dramatically portrayed the sullied, sordid underbelly culture of corruption that Oakland and Alameda County has long been known for! This pattern continued even through the Oscar Grant murder debacle but lead to the people of the Oakland East Bay Area and beyond, standing up to that corruption and saying “NO MORE!!!”.
The cry at ALL the Occupy events world-wide are echoing the frustration felt by the people of the East Bay Area, “We are ALL Oscar Grant!!” and most are reacting in solidarity and union with those whom have voiced their opinions with their frustrations in a varied manner of ways. The world witnessed as Oakland revolted and burned with the that cry and now the whole world is chanting the same tune and following Oakland lead as it did in the 1960-70′s re-evolution!
The Minority and Occupy Communities ( #occupyoakland #OWS) are evaluating the elected officials, want-to-be-leaders, clergy and so-called power brokers that do not represent their interest, yet claim to bargain and speak for them! How can these self-perceived “influence peddlers” bargain away the rights and interests of people they do not talk to, know nor represent?
African-American youth, the overall Minority Youth Community with the Occupyers ( #occupyoakland #OWS) know these carpet baggers and their “bagmen” are sellouts and represent BIG BUSINESS INTEREST- the Developers, Banks, Insurance Companies, Attorneys and maintaining the status quo! The Minority Youth Community with the Occupyers proclaim widely and loudly that they ARE NOT the constituents of these turncoats that disavow their very own ethnic orientation because they acknowledge that being Black in America is to be considered worthless and disposable!
One of Oakland Mayor Jean Quan’s problems is her depending on the advice of Uncle Toms Sandre Swanson, and Keith Carson; while fighting bootlicking-backstabbing Larry Reid and Ignacio DeLaFuente; assumming theres some influence of want-to-be-leaders, clergy and so-called power brokers to move the concerned disenfranchised; with double crooked duplicitous Dan Siegle! (More coming on this cast of characters)
Oakland City Councilmen Larry Reid and Ignacio DeLaFuente have given away many, many millions of dollars in valuable Real Estate to their developer partners! From 14th Ave to 106th Ave and down from MacArthur Blvd. to the Bay. Councilmen Reid and DeLaFuente are owned and controlled by developers! That’s why they constantly connive so shamelessly for the Civil Gang Injunctions and curfews, with EVERY act of difference they are in the media spinning it as an example of serious crime that could be eliminated with the injunction/curfew. Reid has gone on air and repeatedly tried to trivialize and void the entire good of some lives by claiming their life was somehow
Award for “Distinguished Marketing and Promotional Services” from NFL Super Bowl NFL Experience,
Founder of BLACK EXPO shown with Olympic Sprinter John Carlos , Hip Hop’s Islamic Influence, 1979 National BALSA Conference , Dellums for Mayor, Hip Hop’s Islamic Influence, 1979 National BALSA Conference, Oakland Police Officers Arrested for Computer Store Burglaries, Police Found Guilty in Burglaries, Police Officers Sentenced for Burglaries,
FREE tickets to:
Avant, Fri & Sat., 11/25-26 @10 pm, Yoshi’s- Oakland, 510 Embarcadero W, Oakland Ca 94607;
Orgone with Allen Stone, Sat, 11/26/11 @8:00 PM, Great American Music Hall, 859 O’Farrell St., San Francisco, CA 94109
Montclaire Womens Big Band, Sun, 11/27 @7 pm, Yoshi’s- Oakland, 510 Embarcadero W, Oakland Ca 94607;
The Velveteen Rabbit, Choreographed and directed by KT Nelson, Sat., 11/26 @2 p.m., Novellus Theater at Yerba Buena Center for the Arts, 701 Mission Street (at 3rd Street), San Francisco, CA
Keb’ Mo, Thu, 12/1/11 @8:00 PM, The Regency Ballroom, 1290 Sutter St., San Francisco, CA 94109
Erykah Badu, Fri., 12/9 @9pm, The Warfield Theater, 982 Market Street, San Francisco, CA 94102
Snoop Dog and Wiz Kalifa , Mon., 12/12 @9pm, The Warfield Theater, 982 Market Street, San Francisco, CA 94102
Fela!, Produced by Will Smith and Jada Pinkett Smith, 11/15 – 12/11 @8pm, Curran Theatre, 445 Geary St, San Francisco, CA 94102
Colors of Christmas, featuring Peabo Bryson, Jennifer Holliday, Lea Salonga, Ben Vereen with A.M.E. Oakland Mass Choir and San Francisco Symphony, December 13-15, 2011, 8:00 pm, Davies Symphony Hall, 201 Van Ness Ave., San Francisco , CA 94199
Duke Ellington, featuring San Francisco Symphony, Sunday, December 11, 2011, 8:00 pm, Davies Symphony Hall, 201 Van Ness Ave., San Francisco , CA 94199
Oakland Interfaith Gospel Ensemble, Thur, 12/29/11 @9:00 PM, SLIM’S, 333 11th St., San Francisco, CA 94103
Zongo Junction/ Turkuaz, Thur, 12/29/11 @9:00 PM, SLIM’S, 333 11th St., San Francisco, CA 94103
The tickets will be awarded via our Text, Twitter or website, so DO NOT REPLY TO THIS EMAIL, and if you haven’t already, you should join us on:
Text “I Want Tickets to (show)” with your name and email address to: (510) 394-4501; Twitter at: http://twitter.com/xzwhy , http://twitter.com/ajalil , http://twitter.com/nowtruth , http://twitter.com/amwft, http://twitter.com/win2012elect , or go to the websites at: http://Superstarmanagement.com , http://Ex-Why.com/ , http://AMWFTRUST.Org/ or http://NowTruth.Org/ and make your request on the “I WANT TICKETS” page.
Orgone
With Allen Stone
Great American Music Hall
859 O’Farrell St.
San Francisco, CA 94109
Orgone Los Angeles?Funk / Soul / Afro-beat??or·gone (ôr’gon) ?n. A universal life force, a cosmic unit of energy, the creative force in nature.
Los Angeles based band Orgone is many souls with a cosmic connection, a natural creative force and musicians who have played together for years. They are self schooled and continue to shape their musical voice as a solid unit of guys who hang, spin records and jam out their shared inspirations. With a rooted sense of funk, soul, afrobeat, deep rhythms and an intimate understanding of dj culture as well as each others’ individual talents, Orgone seamlessly slides through multiple styles and dynamic performances. The group continuously injects whatever they play with a heavy brand of raw funk power.
At the core of the band is a rhythm section comprised of close friends who have played together for more than 10 years. Having grown artistically as a unit they function as one organic and intuitive whole. The orginal 5-member band started out by putting their own gritty takes on tunes by the likes of the JBs, the Meters, Booker T. and the MGs, Grant Green and Funkadelic among many others. They quickly gained underground respect and die hard fans. With their searing live sets and original instrumentals, Orgone soon released their debut self titled CD, “Orgone,” in 2002. The result was a collection of all original down home, transcendental, tough and gritty funk instrumentals.
Keb’ Mo’
The Regency Ballroom
1290 Sutter St.
San Francisco, CA 94109
Singer-songwriter and guitarist Keb’ Mo’s music is a living link to the seminal Delta blues that traveled up the Mississippi River and across the expanse of America–informing all of its musical roots-before evolving into a universally celebrated art form. Born Kevin Moore in South Los Angeles to parents originally from the deep South, he adopted his better known stage name when he was a young player who became inspired by the force of this essential African-American legacy. In the storied tradition of bluesmen before him including Muddy Waters-formerly McKinley Morganfield-and Taj Mahal, who began his days as Henry St. Clair Fredericks, Moore became known as Keb’ Mo’. His acclaimed self-titled 1994 debut album introduced that now famous appellation to the world, and his latest album, 2006′s Suitcase, brings it to new heights.
the voice of modern soul
510 Embarcadero W
Oakland Ca 94607
Friday, November 25, 2011
10:00 pm
Saturday, November 26, 2011
10:00 pm
He was once hailed as the “new voice of ghetto soul.” No more. Avant can now be hailed as the “new voice of modern soul.” The proof is in the listening as the singer prepares to release his sixth album—and first—on Verve Forecast: “The Letter” (Dec. 7).
“A letter is what you write to people to tell them what’s going on in your life,” says Avant. “This album is a letter from me to my fans about what’s going on in my life, what’s going through my head and my struggles as a man.”
Simmering with radio-friendly yet relatable introspections about romance/love, commitment and other realities of life, “The Letter” finds singer/songwriter Avant ready to ascend into music’s mainstream ranks—joining such predecessors as Maxwell, Marvin Gaye, and D’Angelo. Guiding Avant on that journey is a contingent of established and emerging producers from the R&B/hip-hop realm. Among them: The Pentagon, whose members Damon Thomas, Eric Dawkins and Antonio Dixon have collectively crafted hits for Mary J. Blige, Fantasia, Babyface and Usher; Mike City, whose credits include Usher, Jamie Foxx, Brandy and Carl Thomas; Marshall Leathers, formerly of the Architects, who has worked with India.Arie and Missy Elliott and Kajun, fresh off the top 5 R&B hit “Sex Room” by Ludacris featuring Trey Songz.
Avant, who also co-wrote and co-produced several “Letter” tracks, has revitalized his music without sacrificing his primary sound: “love ballads and mood records in the vein of Kenny “Babyface” Edmonds, Luther Vandross and R. Kelly. “These guys,” says Avant, “gave me the drive to write and sing about the way relationships should go.”
Acknowledging the career-evolving fear factor artists face with each new album, Avant notes, “You don’t want to let your fans down, but you don’t want to come off like you’re trying to be someone else. At the same time, you want to stay relevant without sounding boring. For me, it’s about giving people great music. And I feel I’ve got that niche.”
At the forefront of accomplishing the singer’s current mission is the lead single “Kiss Goodbye.” Introduced by a driving piano riff, “Kiss Goodbye” settles into an atmospheric, mid-tempo groove that provides the melodic backdrop to the song’s cautious message: don’t ever take a romantic relationship for granted. “See you done got a lot of passes/Sick of waiting on you to change,” sings Avant. “You won’t know it, it’s a perfect disguise/She won’t show it, but lips don’t lie …/It’s OK if she said she was out with her girls and you know it’s a lie/But if she kissed him, that’s your kiss goodbye.” In a nutshell, the song doubles as the male equivalent to Beyoncé’s own cautionary tale broken down on the hit single “Irreplaceable.”
“I’m out to raise caution to the fellas,” explains Avant about the inspiration behind “Kiss Goodbye,” produced by The Pentagon. “We’ve been used to talking our way out and through situations. But now we have to show more action.”
Avant draws on his inner Marvin Gaye as he skillfully works his way through “Hot 16,” a mood-setting number about an anticipated romantic liaison. “We’re about to make a masterpiece … something to remember,” he smoothly croons. The mood shifts on “Where Did We Go?,” a commentary on the day-to-day stresses that can cause the demise of a relationship. Avant isn’t afraid to bare his emotions as he laments his and his lady’s inability to simply reach out and talk in an increasingly digital world. The Pentagon, who produced “Hot 16” and “Where Did We Go?,” also helmed the beautiful anthem, “Walking on Water.” It’s destined to become a wedding classic by virtue of its quiet melody and revelatory lyrics: “I finally found someone/A girl I can love forever/Never thought it would happen for me/Feels like I’m walking on water; walking on water/ When I’m with you, impossible is easy to do.”
Among the other 11 tracks comprising “The Letter” is another R&B highlight, “Night Life.” Directed by producer Mike City, it features the feel-good morning-after line: “Waking up late with you on my mind.” Avant also taps into the hip-hop side of R&B on the languid “Body Police” and club jam “Had Enough,” both produced by Kajun, as well as the mid-tempo groove “That Dude,” produced by Marshall Leathers. In addition to its melodic, contemporary R&B framework and story-telling lyrics, “The Letter”’s cohesiveness is tied together by Avant’s lilting tenor, which can shift effortlessly from romantic crooner to get-down party man.
Avant comes by those skills naturally. Born and raised in Cleveland, the church-honed singer attended Cleveland School of the Arts and later became the first act signed to Magic Johnson’s MCA-distributed label, Magic Johnson Music (MJM). Avant came to the NBA legend’s attention when the singer wrote and released the single “Separated.” The song, about a failed romantic relationship, began getting airplay on the top-rated Chicago radio station WGCI. The song was eventually included on Avant’s 2000 MJM debut album, “My Thoughts.” Reaching No. 1 on Billboard’s Hot R&B/Hip-Hop Songs chart, “Separated” was followed by the top five hit “My First Love,” a cover of the 1983 René & Angela R&B classic featuring KeKe Wyatt. Avant returned the favor on Wyatt’s 2001 album debut, “Soul Sista,” pairing up with her on the No. 4 hit “Nothing in This World.”
After scoring platinum with “My Thoughts,” Avant released two more platinum-certified albums, “Ecstasy” (2002) and “Private Room” (2003), and notched several more top 10 singles: “Makin’ Good Love,” “Read Your Mind.” Fourth album “Director”—distributed through Geffen and his final MJM project—was released in 2006 and featured the hit “4 Minutes.” Two years later, he segued to Capitol for a fifth, self-titled album that yielded the top 20 single “Break Ya Back.”
Having recorded with such diverse acts as Nicole Sherzinger and Lil Wayne, Avant isn’t afraid to stretch his vocal wings. He most recently partnered with contemporary jazz artist Brian Culbertson on the single “Skies Wide Open” from Culbertson’s new “XII” album. He was also among the select group of singers chosen to pay homage to R&B legend Frankie Beverly on “Silky Soul Music … An All-Star Tribute to Maze featuring Frankie Beverly.”
“The different textures of music excite me,” says Avant. “The dabbling in other genres inspires my writing.”
Another side of Avant is revealed on the new DVD release of playwright David E. Talbert’s “In the Nick of Tyme,” which also stars Morris Chesnut, Ellia English and Terry Dexter. Says Avant, “Bringing across another character was so much fun.”
However, it’s the singer/songwriter part of Avant that’s on center stage right now as Verve Forecast prepares to release “The Letter,” the next step in the artist’s ongoing evolution. “I have to say, I’m not where I want to be yet, and I won’t be complacent,” declares Avant. “I’m always fighting to go further. Once you hit a plateau, it’s time to create another. I’m just getting started.”
510 Embarcadero W
Oakland Ca 94607
Sunday, November 27, 2011
7:00 pm
Brownsville Express – Montclair Women’s Big Band by Yoshisjazz
The Montclair Women’s Big Band celebrates its thirteenth year with a special Thanksgiving perfomance at Yoshi’s Oakland, the band’s home town. With a vivid cast of some of the best jazzwomen in the San Francisco Bay Area, the band combines an audacious sense of swing, tight ensemble work and inspired solos. All About Jazz writes “the Montclair Women’s Big Band is one of the most formidable jazz ensembles on the West Coast…this is premium-grade big band jazz, rigorously blended for high mileage and maximum pleasure.”
MWBB cemented its status as a world-class ensemble with the release of it’s self-titled debut CD. Recorded at George Lucas’s state-of-the-art Skywalker Sound in Marin County and engineered by three-time Grammy winner Leslie Ann Jones the recording has become a best-seller on CDBaby. Jazziz Magazine labeled the recording “a blues-drenched gem that swings with dazzling aplomb.” The band has gained visibility through a series of high-profile gigs, including performing to a sold out audience in LA for the Grammy Foundation, headlining the Mary Lou Williams Festival at the Kennedy Center in Washington, D.C., and being featured on National Public Radio’s number one syndicated show, Piano Jazz, with Marian McPartland.
Don’t miss the band’s Thanksgiving celebration! The ensemble will present a number of new compositions by women including Mary Lou Williams and band members Jean Fineberg and Christy Dana, featuring the band’s outstanding soloists. All About Jazz writes “the MWBB unsheathes an arsenal of meticulous sharpshooters including pianist Tammy Hall, trumpeters Ellen Seeling and Marina Garza, saxes Mad Duran and Jean Fineberg, and trombonists Sarah Cline and Mara Fox.” Rounding out the personnel are saxes Kasey Knudsen, Yvonne Line and Carolyn Walter; trumpets Tiffany Carrico and Ariel Vento; trombones Crystal Bryant and Becca Burrington; pianist Erika Oba; bassist Ruth Davies and drummer Russ Gold. Be there or be square!!
The Occupy Movement that has swept America and the world, had it’s Occupy Oakland beginnings with the revelation of irrefutable evidence of the mass fraud and corruption of the Oakland City Attorney, Oakland Police Department, Alameda County District Attorney, Alameda County Superior Court, California State Appeals Court and California Supreme Court in an action to deny justice and cover up that denial of justice in the 20 year case of Abdul-Jalil al-Hakim vs CSAA, Rescue, et al.
The unrest caused by the exposure of the criminal actions of these law enforcement, legal and judicial individuals/bodies in this matter implored others to investigate the ongoing case revealing even more rampant corruption that has dramatically portrayed the sullied, sordid underbelly culture of corruption that Oakland and Alameda County has long been known for! This pattern continued even through the Oscar Grant murder debacle but lead to the people of the Oakland East Bay Area and beyond, standing up to that corruption and saying “NO MORE!!!”.
The cry at ALL the Occupy events world-wide are echoing the frustration felt by the people of the East Bay Area, “We are ALL Oscar Grant!!” and most are reacting in solidarity and union with those whom have voiced their opinions with their frustrations in a varied manner of ways. The world witnessed as Oakland revolted and burned with the that cry and now the whole world is chanting the same tune and following Oakland lead as it did in the 1960-70′s re-evolution!
The Minority and Occupy Communities ( #occupyoakland #OWS) are evaluating the elected officials, want-to-be-leaders, clergy and so-called power brokers that do not represent their interest, yet claim to bargain and speak for them! How can these self-perceived “influence peddlers” bargain away the rights and interests of people they do not talk to, know nor represent?
African-American youth, the overall Minority Youth Community with the Occupyers ( #occupyoakland #OWS) know these carpet baggers and their “bagmen” are sellouts and represent BIG BUSINESS INTEREST- the Developers, Banks, Insurance Companies, Attorneys and maintaining the status quo! The Minority Youth Community with the Occupyers proclaim widely and loudly that they ARE NOT the constituents of these turncoats that disavow their very own ethnic orientation because they acknowledge that being Black in America is to be considered worthless and disposable!
One of Oakland Mayor Jean Quan’s problems is her depending on the advice of Uncle Toms Sandre Swanson, and Keith Carson; while fighting bootlicking-backstabbing Larry Reid and Ignacio DeLaFuente; assumming theres some influence of want-to-be-leaders, clergy and so-called power brokers to move the concerned disenfranchised; with double crooked duplicitous Dan Siegle! (More coming on this cast of characters)
Oakland City Councilmen Larry Reid and Ignacio DeLaFuente have given away many, many millions of dollars in valuable Real Estate to their developer partners! From 14th Ave to 106th Ave and down from MacArthur Blvd. to the Bay. Councilmen Reid and DeLaFuente are owned and controlled by developers! That’s why they constantly connive so shamelessly for the Civil Gang Injunctions and curfews, with EVERY act of difference they are in the media spinning it as an example of serious crime that could be eliminated with the injunction/curfew. Reid has gone on air and repeatedly tried to trivialize and void the entire good of some lives by claiming their life was somehow lost to or compromised by gang related violence that could have been avoided by the injunction/curfew by pushes for his disposed partner in crime, former City Attorney John Russo. Many families resenting that media manipulation with on air to publicly denounce Reid’s developers serving claims!
Reid was served with a complaint against his partner Russo and refused to investigate it, but rather chose to cover it up. Not so oddly enough, that was the same stance taken by Sandre Swanson, Keith Carson and District Attorney Nancy O’Malley. Who are they protecting and why? Carson has made himself a witness in this case my the admissions made by District Attorney Nancy O’Malley to him regarding the incident where she had al-Hakim removed from the D. A.’s office while sitting alone in the lobby waiting for a meeting!
The real reason the Reid Gang wants the injunction/curfews are because they are law enforcement and real estate developers dream tools for gentrifying the inner-city and administratively taking land from the poor! Not so unfortunately, an analyst last week revealed that the North Oakland Gang Injunction HAS FAILED to reduce crime in any way, yet in has enriched the police department with over $12 million while the
Award for “Distinguished Marketing and Promotional Services” from NFL Super Bowl NFL Experience,
Founder of BLACK EXPO shown with Olympic Sprinter John Carlos , Hip Hop’s Islamic Influence, 1979 National BALSA Conference , Dellums for Mayor, Hip Hop’s Islamic Influence, 1979 National BALSA Conference, Oakland Police Officers Arrested for Computer Store Burglaries, Police Found Guilty in Burglaries, Police Officers Sentenced for Burglaries
FREE tickets to BRANFORD MARSALIS, September 21, 2011, 8:00 pm,Yoshi’s, 1330 Fillmore Street, San Francisco; Return To Forever featuring with Chick Corea – Keyboards, Stanley Clarke – Bass, Lenny White – Drums, Jean-Luc Ponty – Violin, and Frank Gambale – Guitar and Zappa Plays Zappa, Thursday, Sep 22, 2011, 8:00 PM, The Warfield, 982 Market Street, San Francisco, CA 94102; KBLX Stone Soul Concert II , Sleep Train Pavilion At Concord, 2000 Kirker Pass Road, Concord, CA 94521, Saturday, Oct 1, 2011 12:00 Noon. KBLX proudly welcomes a great collection of Northern California homegrown talent, featuring: MC Hammer, En Vogue, The E Family, Tony Toni Tone, ConFunkShun, Lenny Williams
The tickets will be awarded via our Twitter or website, so if you haven’t already, you should join us on:
Text “I Want Tickets to (show)” to (510) 394-4501; Twitter at: http://twitter.com/xzwhy , http://twitter.com/ajalil , http://twitter.com/nowtruth , http://twitter.com/amwft or go to the websites at: http://Superstarmanagement.com , http://Ex-Why.com/ , http://AMWFTRUST.Org/ or http://NowTruth.Org/ and make your request on the “I WANT TICKETS” page.